industry. For the most part it's been an enjoyable experience. I took
fourteen years to get to the top of my chosen path, sat there for
about another eight years and have been sliding gently back down
ever since; that's why I'm now lighting poker tournaments instead
of prestige dramas. Production methods have changed and my skills
are no longer in demand. That doesn't worry me; I've proved to
myself that I can light anything that's thrown at me (except
sitcoms). I'm afraid that I'm guilty of losing interest in things once
I've mastered them to my satisfaction (which can be a fairly low
level of expertise!). That's why I no longer do su doku puzzles.
Too many people live in the past, lamenting what has been,
dredging up old slights and grudges. Cast them aside (easy to say, I
know). Baggage is not for carrying through life, it's for losing at
Heathrow Terminal 5. And issues? That's what magazines come in,
usually with a special at Christmas. Resistance to change is one of
life's greatest stumbling blocks. Don't lie in the road in front of the
bulldozer – learn to drive it. To counter the lack of challenges in my
television career, I developed sidelines that fitted in with a reducing
workload. For a few years I was an antiques dealer. Now I have a
another career as a photographer.
As usual I've reached the point where I've no idea where this
chuntering on is leading. So I'll change tack.
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have. Aside from the fact that it's not fair on Pixie if I'm diving off
every few minutes to prostrate myself under a building or dangle
excitingly from a bridge parapet, I felt that NY was too familiar. I
didn't feel the urge to acquire images of something I'd seen so often
in films and books. How many pictures of the Flatiron Building or
the Empire State does the world need? Even if I could find a new
angle, why bother?
Still I didn't return empty handed.
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