That doesn't leave must to the imagination. As a line it's is right up there with another of my favourites, from a French film:
Some of my lighting on drama productions has probably induced that feeling in the viewer.
"And this is of interest to me how?"
(Except on the subjects of religion and food, the opinions stated here are not necessarily those of the Author. The Author reserves the right to vary his opinions to suit the purposes of narrative, humour or just because he can). All photographs have been taken by the Author.
Today's image by chance does link to the above since it involves a pair of fours. But, and this is important, it didn't have to. No, Sir, the Age of the Tenuous Link is over. On the first level of consciousness at least.
What has all this to do with today’s image of a gate and some water?
I thought a couple of images of a BDO might be helpful. Peter, well insulated against a biting north-easter and with a fully-formed Prat-Hat, is busy photographing something rusty - rust is very popular this month. I'm trying to make myself both thinner and softer in a window - one of those aims was achieved.
Still it was fun and ended up in a teashop where we had TAC (tea & cakes).
I have just spent a few days lighting a poker tournament for television. It would be fair to say that I get bored at times and when that happens I play. I've lost count of the number of objects I've photographed while sat in my little control room (that's a flash name for it - it's more like a store cupboard).
The results of activity in the human brain often show it to be a very fallible organ - just look at the 'theory of intelligent design', for example, or reality television, personalised car number plates, the Health & Safety Executive. Someone somewhere, outwardly sensible and rational, we hope, must have thought these a good idea. And they're not.
I see my mate, Peter, is on a three again today so I thought I'd follow suit - or is this a four? Four finials, four columns, three bays - which dominates?
The weather has returned to normal after its euphoric outburst yesterday. It is gloomy and raw. I cycled into Pershore at lunchtime and, for the first time, wore the headgear that Peter has kindly given me to keep my ears warm. In doing so I ignored the apt rhyming couplet:
Oh how true that is when you have the bone structure of a football!
I took no photographs today worth mentioning since I have entered a 'prima donna' phase and am refusing to play if the light's not right. It won't last. I'll soon be back to trying to make a silk purse out of a sow's ear; by the way, why would anyone try that?.
However I have a couple of recent images to throw into the melting pot on the theme of 'iron things and their shadows'; I really must do better with titles.
* Prat - The word is commonly used in the United Kingdom to refer to an idiot. For example: "don't be such a prat". It is also a component of the word "pratfall." Elsewhere it can mean 'buttocks'. Either use is appropriate in this context.
It would be untrue to say that the area around the confluence of the Severn and the Avon sparkled in crisp winter sunlight today because it didn't; it wallowed in mist and fog. However up on the hills all was sweetness and light, Bredon and the Malverns floating above a sea of white. I did take a few shots of this vista but, as is often the case in landscape photography, what was pleasing to the eye was anathema to the camera. I deleted them all.
Reflection shots are always a crowd pleaser (I'm big enough for a crowd and they please me).
I'm not sure what to say about the roots. I actually took this picture in January last year but I've no doubt it would have looked the same today if I'd ventured a few yards down the footpath towards Elmley Castle. There's a touch of the Ent from 'Lord of the Rings' about this image - a giant clawed foot anchored to the hill, syphoning energy and sustenance into the canopy above and wondering what it might have for pudding - a juicy fungus perhaps or some squirrel brûlé.
Yesterday's lattice window found an echo today when I went exploring in the town of Lydney in the Forest of Dean. I came across this footbridge that leapt out at me as a photographic subject. Firstly it was rusty and I'm a sucker for anything with a bit of rust on it. Secondly it was criss-crossed by diagonals which I think are very dynamic in image making. Thirdly, it looked decrepit and was surrounded by rampant greenery.
Monica is always accusing me of carrying a pin around with me so that I can prick people's bubbles. I'm not against using it on myself. My disappointment today was with the intermittent sun and the direction of what sunlight there was. I would have really liked a strong kick of light down the steps towards camera to bring them to life. As I'm not a god, I had to rely on what nature, a fickle mistress at the best of times, had bestowed.
I never tire of photographing windows and this is one which particularly drew me. Maybe it's the indistinct sense of what lies beyond that got my attention.
The requirement to write a daily column for this netlog is not set in stone (tenuous link to image). I've now completed fifty continuous days and reached the goal I set myself at the beginning of December. Fortunately for all concerned I recognise that I'm at risk of becoming an obsessive-compulsive and exhibiting the sort of behaviour that leads to an interest in wearing fawn cardigans and doing things at set times each day. In order to forestall this fate I'm taking avoiding action. Journal entries may become less frequent but hopefully no less irrelevant or silly.
Not surprisingly it was quite a challenge to get this leaf in focus in amongst the spiky branches with my camera set to auto. I ended up pre-focusing on the foreground by depressing the shutter release halfway and then thrusting my hand into the bush to what I guessed to be the required distance to get the leaf sharp. It seems to have worked but I don't recommend it with this type of plant unless you're carrying something to staunch the flow of blood. How we suffer for our art!
My son-in-law, Dave Junior, has the whole of his first novel mapped out, characters, plot-lines, all sorted. He's a clever chap. Whereas my writing skills are less comprehensive. I write openings. Sure I've knocked out a few short stories and the first thirteen chapters of a novel but I can see the buffers looming up even before I start. Openings are my thing.
And so to the interior of Tewkesbury Abbey. For a change, and in a spirit of generosity, I actually bought a photographic permit at cost of £2. It saved me being castigated by the church wardens and meant I wouldn't have to run and hide if my flash went off accidentally. I never use the flash but the Canon Ixus 50 doesn't seem to allow me to switch it off permanently and I keep forgetting - Peter has suggested masking it with a bit of tape. I might get round to that one day, if I can be bothered to.
The organ started life in the seventeenth century - what attracted me was the 'splash of red' on the ceiling and the juxtaposition of the cool and warm tones. This also applies to the close-up image of the pipes and that of the tiled floor.
I went back inside when the sun came out in the afternoon but it had made little difference to the interior and its air of mystery. Now that so many of us no longer have the need for the crutch of religion and have cast off its oppressive yoke, are we still capable of building edifices like Tewkesbury Abbey? Can we still strive for that manifestation of perfection, glory and wonder that our ancestors did? And if we can, will our creation still be standing, essentially intact, in one thousand years time?
So here's another leaf composition. Yes, I realise I'm treading on Peter's turf, scuffing my boots through his autumnal debris.
Enough of trees, leaves and mannequins. A bit of architecture today. The first picture I published in this journal was of the gates to Tewkesbury Abbey. Now I'm getting a bit closer with some images of the west end which I took in a welcome burst of sunlight towards the end of the day.
There's nothing much to say about Tewkesbury. An average town with a supremely unsympathetic shopping development centred on that blight of British retail, a branch of Tesco's. Also I couldn't find a decent breakfast - enough said.
A splash of red is an ongoing theme but I'm not so sure about the group of four mannequins. Odd numbers rule in image making (but not in social groups - now that's interesting). I need to adjust my perception........
For over twenty years I have been drawn to the paintings of the Victorian artist, Atkinson Grimshaw. I suppose I feel an affinity with him because my own craft involves painting with light and it is in the effects of light and the creation of atmosphere that Grimshaw excelled.
Today's picture is a lovely example of how people can read different things into a simple image. I took this photograph in the old churchyard behind Cirencester Parish Church where burials ceased in the mid-nineteenth century (it was full). The sun had at last broken through and I was on the look-out for shadows and light kicking off objects. I spotted these two leaves lying on an old gravestone, beautifully lit from an upstage sun. In I went, as happy as Larry (who was he?).
One certainty in life is that if you put up a notice marking your personal space, people will ignore it. Even if you ask nicely. I've had a good look at this image and I can't identify a single piece of camera equipment in the rack. Lighting, on the other hand, have run riot with gel frames and someone is also thinking about a little shelving scheme somewhere.
I think I'm in the grip of Seasonal Affective Disorder as I keeping searching through images from the last few months to find any that have a glimmer of sun in them. I've come across a couple that I shot in Lyme Regis back in October. One of them falls into the 'postcard' category, the other into the 'reflection for the sake of it' group.
It's a tricky time of the year for the photographer-on-a-bike. It takes a real effort of will to get on the machine in the first place, encumbered by four or five layers of clothing (yes, I know all about layering). Then I cycle into town and back, about ten miles, and how many pictures do I take? Usually none - it has to be pretty worthwhile to persuade me to get my gloves off. Still I always find that if I go out looking for them, nothing appears.
It's too miserable at the moment to go wandering outside so I'm raiding my back catalogue for images. This is yet another from the Snowy Mountains in New South Wales. The Snow Gums are fascinating trees with beautiful pastel bark. Colours include pink, cream and green among others - perversely I chose to photograph a dull grey one.
Somewhere in the City of Wells there is a narrow-minded little zealot whose greatest satisfaction in life comes from finding historical relics ........
A couple of weeks ago I was in St Peter's Church in Winchcombe. It always surprises me how often my outings end up in churches because I have no religion nor am I ever likely to have. However that doesn't mean I can't appreciate the artistic and spiritual stimulus that a church provides and they often offer arresting images for the casual photographer.
Ludlow in Shropshire has a reputation as a bit of a gourmet destination but we don't go there to eat in the fancy restaurants - it's the small cafes and teashops that are of interest. One we've visited several times is The Olive Branch which specialises in vegetarian food. Today that included Leak & Parsnip Crumble and Cider & Walnut Hotpot, both delicious.
Peter commented on how eye-catching a small splash of red was in a picture of the Provencal flag I published on October 30th, 2005. The same could be said of this image of Monica striding through the muted colours of a grove of Snow Gums in Australia's Snowy Mountains. A little goes a long way. If she looks worried, she's probably thinking about spiders.
A blank page cries out for words like a sandy beach cries out for a castle; DJC-B
The one who says it cannot be done should not interrupt the one doing it; Chinese Proverb
A mill cannot grind with the water that has passed; Chinese Proverb
A ringing telephone is an invitation, not an imperative; DJC-B